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Lebanese film director keeps faith after COVID-19 dashes Cannes dreams

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Lebanese filmmaker Jimmy Keyrouz
Image Credit: REUTERS

Many directors would have been devastated when their plans to show their first feature at the Cannes Film Festival were wrecked by the spread of COVID-19.

But Lebanon’s Jimmy Keyrouz said he took heart from the themes of his movie ‘Broken Keys’, which tells its own story of finding hope in the midst of disaster.

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Jimmy Keyrouz on the sets of ‘Broken Keys’
Image Credit: Reuters

The film follows a young man called Karim living somewhere in Iraqi and Syrian territory occupied by militants and dreaming of escaping to Europe to become a musician.

At the start of the film, the fighters smash up his piano.

He then tries to rebuild the instrument to sell it to fund his journey.

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A behind-the-scenes look of the ‘Broken Keys’ shoot
Image Credit: Reuters

“If I was to summarise the spirit of the film in one sentence or saying I would say: ‘Life is not about waiting for the storm to pass — it’s about learning to dance in the rain’,” Keyrouz said, quoting artist and author Vivian Greene.

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Jimmy Keyrouz on the sets of ‘Broken Keys’
Image Credit: Reuters

“I guess it sums up the film pretty well and sums up our situation. You just gotta keep working, keep moving forward.” Keyrouz said he filmed part of ‘Broken Keys’ in the Iraqi city of Mosul filming at the last area where Daesh fought, “and even there in some places we smelled … dead bodies under the rubble.” Cannes chose the film for its 2020 lineup, alongside works by Wes Anderson and other star directors.

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Jimmy Keyrouz on the sets of ‘Broken Keys’
Image Credit: Reuters

But the world’s biggest cinema showcase, usually held in May on the French Riviera, called off its events during the lockdown.

Organisers this month published the list of their 56-film line-up, saying they still wanted to use the festival’s cachet to help promote the movies.

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Jimmy Keyrouz on the sets of ‘Broken Keys’
Image Credit: Reuters

“I can only be very happy and grateful for Cannes to have supported and selected the film, despite not having the festival,” Keyrouz said, adding that he was still hoping to start releasing the film later this year.


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